Great mate I have nothing really to critise on this. I'll get to work straight away and have the depth shots sorted by tomorrow. I am liking the divide that is featured in majority of shot via the glass in the cafe and the car. As a thought I would like to keep the detective in the dark and play a little ying yang scenario in sum respects. This way the theme portrays something darker behind the scenes but doesn't give away the twist. Thoughts?